黑帮领地

(看起来不错哦！

期待剧集未来的表现😎)· Belmarsh监狱（英国名气最大管理最严的监狱，原来阿桑奇就一直在那里关着）· Facinelli的鞋子不错· 耳烛疗法和灵气疗法都没啥用· 顺便复习了伊壁鸠鲁和柏拉图说过的话，并查到图中的练习题来自英国GCSE（General Certificate of Secondary Education，中等教育普通证书）的哲学考试题目～（https://www.farlingaye.suffolk.sch.uk/docs/Letters/Y11_Markscheme.pdf）

评论区一起看，更多见主页伦敦两大犯罪家族——哈里根家族和史蒂文森家族互相争权夺力，正处于交战状态，不是你死，就是我亡。

而陷入这场交火的，是哈利达索萨，他是精明的街头“调解人”，英俊又危险。

哈利很清楚两股对立的力量发生冲突时，应该要向谁投以忠诚。

当两座王国发生交战，原则的界限将会被打破，而唯一的底线，就是不惜赌上性命的誓言：家庭永远摆在第一位。

Harry和Bella的关系，剧里表现的是有点儿暧昧，播了四集，Harry已经私下三次单独去找Bella帮她解决问题，尤其Bella说的那几句言辞暧昧的话，绝对是挑逗性的，就让人感觉俩人以前有点儿啥事似的。

不过第四集最出人意料的是Bella是Conrad的旧情人、爹把情人转手给儿子这一重磅，这么来看，Harry和Bella就不太可能有过啥了，而以Harry对Kevin的义气和对Harrigan家的忠诚感来说，他也不太可能和Bella有过啥。

就连汤老师在接受Collider采访时被问Harry跟Bella咋回事时都说There's nothing going on there. 不过第四集最后俩人对Kevin的问话回答不一，估计也对未来三人关系的走向埋下了伏笔（讲真，感觉Kevin实惨：蹲监狱被侵犯、老婆是爹给的二手、儿子是个疯批祸害而且是不是亲生的现在都说不好、自己住的房子还被炸飞了） 。

这剧是慢热型（不管咋说，汤老师的Hardy Son & Baker到现在为止不做烂剧，自己公司拍的自己主演的目前也只有《禁忌》和MobLand，IMDb打分都是8.3），第一集无感，之后渐入佳境。

得赞一个汤老师，做到了演技松弛+张力兼得，是暴徒，却也彬彬有礼 （突然让我想到略萨在他小说里用的词“温柔的暴力或粗暴的柔情”），无论什么惊悚血腥场面，几乎没有情绪失控的时候，只有Jan告诉他Conrad来过家里后，才惊爆F四字（说到汤老师，这些年下来，他是只接狠人戏不接普通人的戏了，反正要么是黑帮、犯罪分子、恶徒亡命徒，要么是警察、军人、拳击手、不怕死的勇夫啥的，也对，很多年前看过他演一个轻喜风格小浪漫风的电影，就感觉非常不搭，难怪他自己都说再不演这款了。

可惜，看不到汤老师演个深情款，就连年轻时演爱情戏，也挑了个个色的——《呼啸山庄》里的希刺克厉夫。

尽管汤老师现在接受采访时总嘲自己又老又丑，但也奇怪，无论是十多年前还是现在，只要看他的戏，总能不由自主被迷住）。

BTW，第二集Harry在酒吧暴虐店主那段的BGM是The Prodigy的Breathe，和汤老师的气场真是太搭太带感了，找了一下剧里的歌曲（更新中）：Starburster – Fontaines D.C. (Opening Theme / Closing Credits Music) Episode 1 “Stick or Twist” Deeper Underground – Jamiroquai & Don Diablo Firestarter – The Prodigy Episode 2 “Jigsaw Puzzle”Dark Days – Yard Act gy Episode 3 “Plan B”Dark Days – Yard Act Episode 5 “Funeral for a Friend”People Ain’t No Good – Nick Cave and the Bad Seeds 最后五集的名字，谁来盲猜个谜底。

"Antwerp Blues""The Crossroads""Helter Skelter""Beggars Banquet""The Beast In Me"（这个me是Harry吧？

）PS 巧了，中午走在路上看见这么一个，哈哈哈哈！

PS2 贴一个《卫报》的MobLand剧评，这把汤老师给夸的Tom Hardy can be very persuasive. In Taboo, people did what he said because he’d growled something intimidatingly gothic at them; in Locke, they knew he’d only phone back later if they didn’t give in; in the Kray brothers biopic Legend, there were two Tom Hardys and they were both holding claw hammers. Whenever he’s the celebrity reader on CBeebies Bedtime Stories, meanwhile, half of the adults watching wouldn’t need any persuading.The idea that a Tom Hardy character cajoling, threatening or influencing someone is an art form in itself is the core of MobLand, a decent new gangster epic that casts Hardy as top fixer Harry Da Souza. Harry works for the Harrigans, the Irish clan who dominate the London drugs and guns scene, but who are prone to excess and perhaps not as savvy as they once were. Their charming, clinical lieutenant Harry cleans up their messes.Problem one in episode one is that spoiled wild child Eddie Harrigan (Anson Boon) has been on a bender which ended with the stabbing of a geezer in a nightclub – “I gave him a plunge,” says Eddie, his voice too plummy to pull off hardman vernacular – and which could cause the perennial tension between the Harrigans and cockney crime dynasty the Stevensons to develop into a properly naughty war. Harry has to bring Eddie to heel, placate enemy kingpin Richie Stevenson (Geoff Bell), and either sweet-talk or scare witnesses to the knifing, according to whether he wants them to share information or keep stumm. Then he ambles back to his luxury Thames-view apartment, where his neglected wife, Jan (Joanne Froggatt), demands he sign up for couples counselling – but before she can finish her list of grievances, Harry’s phone goes off and he’s reporting for duty again.Hardy’s charisma here is made of confidence and competence: Harry is a guy whose strong hands sort things out. “If I say I’m going to do something,” he says, when his reliability is questioned, “it gets done.” MobLand’s writer/creator Ronan Bennett is interested in organised crime as a business that runs on common sense and people management: while the Harrigans make the big decisions, the workaholic Harry liaises with their industry’s toothless regulator (the police), disciplines errant staff members and implements the odd, rather sudden, redundancy. Harry is essentially a resourceful, well-connected executive, so Hardy gives him a penetrating articulacy, only occasionally flecked with the rough grit Harry must have had in his days as a foot soldier.“Right now, I am in first gear,” says a gun-wielding Harry to two toerags who think they’re hard enough to not do what he tells them. Hardy delivers the punchline – “Would you like to see me shift to sixth?” so calmly that he’s barely audible, which is awfully close to hilarious. But Bennett and Hardy are willing to lean in to Harry’s comic potential, as when he tells another small-time crook what will happen if he crosses the Harrigans: “I, or possibly one of my associates, depending on my availability, will find you.”The Harrigans are fun, too. There’s the boss, Conrad, a wax-jacketed nouveau aristocrat who spits on his hands and claps when he receives good news, or murders people when he doesn’t. What may be mistaken for an erratic performance by Pierce Brosnan is an attempt to embody a dangerously erratic man. Then there’s the real boss, Conrad’s omniscient wife, Maeve (Helen Mirren), and their son Kevin (Paddy Considine), Eddie’s dad, whose missing ruthless streak means he’s constantly professionally cuckolded by Harry, who is not blood but is the favoured child.If MobLand sounds like a more sophisticated take on the cartoon gangster shenanigans of a Guy Ritchie film, that’s what it is: Ritchie directs the first two episodes. You expect either to dismiss a new Ritchie project as crass twaddle, or to quietly chide yourself for enjoying something that probably is crass twaddle, but has been made with enough mischief and flair for you to stop fussing and have a good time. This, however, isn’t in either category.Ritchie’s direction is … pretty good. Accomplished. Smooth. He flexes various muscles he has built up in previous work, as he takes us to old-school boxing gyms and flat-roofed Isle of Dogs boozers, gentleman’s clubs and Cotswolds estates. We’re tasting jellied eels in one mouthful and caviar in the next, the point being that successful criminals often achieve a level of wealth they were not born to handle.Aside from that, and some indications that Maeve’s power comes from having learned to weaponise the dark perversities of the men in her life, there’s not much of the psychological depth that a premium mob saga runs on. But if you ever start thinking MobLand isn’t worth your time, Tom Hardy will be along shortly to convince you otherwise.PS3 第五集的Maeve太疯了。

MobLand已到季中，五集有四集是在结尾挂掉一个人，反转比当年“权游”有过之而无不及。

第五集刚一播完，外媒已经开骂了。

比如Screen Rant就说该剧叙事生硬、剧情线不讲究动机与连贯性、多条支线被随意拾起又丢弃、临近季中仍无清晰主线，并说第五集剧情更是混乱（Esquire也搞笑地说by now, the story has racked up more lines than Eddie Harrigan on a night out.）、最后十分钟突然反转仿佛前四集从未存在、布鲁斯南和米伦饰演的角色令人厌倦是严重选角失误等等等等（这么一看，戏剧感是有点儿过于刻意了，Maeve疯得太过了，谁让海伦·米伦说她是以演麦克白夫人的方式演Maeve呢）。

当然也有夸Richie这个角色演得好的（Richie简直不要太惨）。

《洛杉矶时报》采访布鲁斯南让他透露点儿MobLand后续剧情时，他回答：There’s a fair bit of blood. Not everyone is who they say they are. And there’s a particular rat in the pack. There’s quite a few surprises. All the scripts were consistent with what you’ve already seen. If anything, the writing gets stronger. And there’s an introduction of a particular character who alters the landscape. But don’t trust any of them. 总之，线头儿忒多，一季是讲不明白了，还得有第二季。

我的天，我才发现海报上汤老师的右手。。。

是P过的！

IMDb上不知道是写错了还是啥，第一季全部十集都出现的角色只有Harry、Conrad、Jan、Bella、Eddie、Maeve，而Kevin只有五集，也就是说两个疯子Eddie和Maeve至少到第一季结尾都还活着，而Kevin。。。

要挂不成？

PS4 MobLand热播，还有《毒劫》（MobLand刷新了Paramount+一个开播纪录，《毒劫》虽然评价呈两极，但上线首周即登顶网飞全球收视榜）。

所以，Slate上有篇文章写得挺有意思，叫How I Learned to Stop Worrying and Love Tom Hardy （The star of the Venom movies and Mad Max: Fury Road was supposed to be the next Brando. He’s turned out to be something else entirely.） https://slate.com/culture/2025/04/tom-hardy-havoc-mobland-venom-movies-netflix.html 在谈到这两个作品时说：MobLand is a show about compartmentalization, about how getting in bed with evil prevents you from ever being your full self. It thus requires a lead performance that is a simmering pot, never quite at full boil. Harry is always pretending he’s OK. In one scene, he’s like a charming little boy trying to dodge a fight with his wife, and in another, while shaking down a witness, he’s the most dangerous man you’ve ever met. Harry can turn that danger on or off like a table lamp, using subtle changes in tone of voice and physical presence. The whole performance is as intricate as the wrinkles in Hardy’s forehead, in a way that a more conventional star would’ve probably not bothered with. MobLand is compulsively watchable, but beyond its performances (the great Paddy Considine and Downton Abbey’s Joanne Froggatt do excellent work as well), it’s pretty shallow. By taking the role seriously, even though it’s for a work of popcorn entertainment, he both anchors and deepens the show. The same is true for Havoc, which, if you like your action grim and relentless, will suit your fancy. Yeah, he does the eye thing, but watch closely, and you’ll see that he’s developed a total physicality for the role of Walker, one in which he is always listing slightly to the right, and somehow manages to lumber and move with ginger hesitancy at the same time, indicating a body that has taken its share of hits over the years. Vulture这篇超长的汤老师作品大排名也值得一看 https://www.vulture.com/article/best-tom-hardy-movies-ranked.html再次回到这篇一开始的问题Harry和Bella的关系，因为又看到一篇Collider采访剧中女演员们的文章，Collider直接说Harry和Bella此前是有点儿啥的，问Bella的饰演者Lara Pulver未来二人关系走向如何，回：“像猫鼠游戏”： I think Bella finds fun and almost a reprieve in Harry. They share wit and humor. Look, I'm not sure whether she emotionally or physically wants to get involved with Harry, but she has a lot of fun poking at the bear. It's a bit cat and mouse-y, a bit of just pushing boundaries. I think she's a bit sick of the identity, and the place that she's been in for quite a while, and it's almost like she's rebelling, and just flexing her muscles and seeing what avenues she can explore. 汤老师语录：“I have been an actor for quite a while now. I’m old. It’s okay though because I always wanted to play the characters when I was younger that I’m the age to play now - and now, I want to be young again.” When asking Hardy about his own acting method today, he said, “Oh, I don’t have a method. I’ve studied so many methods - so many - that you take a little bit from everything. Ultimately, the fundamental that I have, if anything, is Do I like this? What do I like about it? and ask questions. Get to know the people I’m working with on it, especially the writer, the director. Get right in the middle of the weeds with them and understand what is it that you want to say, because I can create and conjure.” He added: “You take what works for you and everybody’s different - in the same way I wouldn’t advise another actor how to do something. It’s not my business. It’s a language - any method necessary. If anything, I’ve refined that to just the joy of storytelling.”He added about his current mindset towards acting: “Sometimes, it’s not a question of going out there and doing like, I did the greatest performance of my life! It’s not that anymore. That was a young Tom - that doesn’t really matter in the same way. What matters are the choices that I’m making. Do they work with other people? Can I still go for things that I’m excited to go for, that are a challenge, while also still meeting the requirements within the team, as well?”Regarding the evolving landscape of the film and television industry, Hardy said, “I’ve noticed patterns or things move from shooting on film to digital to streamers. Post-Covid, I’ve noticed the sort of changes in genres that have been popular. The changes in chasing the tax - like cutbacks. What countries we’re going to then? Where do we hire crews from? It’s these patterns, but it further immerses one in the industry of going, I’m a functioning part of that, which is something I’m really grateful for. I never really chased wanting to be a celebrity or be famous or anything like that. I love working. If I don’t work, I love doing jiu-jitsu. I will find fun in what I do. I’m curious and I want to be part of and useful and serve a purpose.”“There is a part of me that’s gone back to the drawing board. New starts - I think there’s a return to what’s important of why I started, what I can do now. This is a generational thing, so an acting career shouldn’t stop just because you’re 50 now. It’s about recalibration and laying the track down for things that are meaningful and have purpose. And if not, don’t do them - don’t do anything. Just let it go. Some things are more important than just doing for the sake of doing, you know?”关于与塞隆的不和（只看Mad Max是很难想象的，片中俩人完成度太高了，结尾的眼神戏真好）：Hardy admitted that he'd been 'over my head in many ways' at the time, adding: "What she needed was a better, perhaps more experienced partner in me... That's something that can't be faked. I'd like to think that now that I'm older and uglier, I could rise to that occasion." PS5 第六集实在让人一言难尽。。。

不过，居然还有外媒盯着Harry、Jan、Bella所谓三角关系的？！

真的是三角关系吗？！

称：Jan Da Souza and Bella Harrigan also came face to face for the first time under awkward circumstances. This not only gives audiences a different dynamic to up the ante, but also allows these two actors time to lock horns. There is an emotional rivalry and latent love triangle between them and Harry, which deepens this melodrama and proves “Antwerp Blues” is about more than a diamond deal. 第六集一共才40分钟出点儿头长，Harry的戏份儿每一帧都变得宝贵起来，在Harrigan家听父子争执时的那几个小眼神真的是出彩儿。

Screen Rant毒舌得搞笑，说第六集"There’s a shootout, though Harry misses it. Hardy’s face is covered by a motorcycle helmet for half the episode as he rushes to collect the sibs; he may not have even been on set."又是随便看到的一篇类比汤老师和马龙·白兰度的文章https://faroutmagazine.co.uk/actor-christopher-nolan-compared-to-marlon-brando/，也挺有意思。

Ever since he permanently changed the face of screen acting, at least one actor has emerged with each passing generation who earns comparisons to Marlon Brando, for better or worse… Robert De Niro, Al Pacino, and Jack Nicholson are three that instantly come to mind, and while the trio are definitely among the all-time greats, none of them would dare suggest they could even dream of lacing up Brando’s boots. They each possessed similar traits, though, and his status as the measuring stick ensured his name would always be invoked… For a 21st century counterpoint, most people would be quick to point to Tom Hardy. 这评价，厉害了。

文中还有诺兰提到的汤老师的内外表现力的魅力："He combines the inner intensity of Brando with the outer expressiveness of a Charles Laughton."Vogue搞的这个也够搞笑，尽管是2014年的。

最新出炉的Esquire采访https://www.esquire.com/uk/culture/a64686546/tom-hardy-interview-2025/?taid=681ddfdb79cfff00010eac09&utm_campaign=trueanthem&utm_medium=social&utm_source=twitter&continueFlag=6f39947fef29754d9e9f7220048c959f 而且透露了MobLand会有三季，第二季今年10月开拍。

PS6 Harrigan家终于赔上一个了，老让Richie家挂人也是不合适。

这剧现在是主打一个瞎编了，就这，还要编三季？！

算了，瞎编就瞎编吧，谁让你瞎编也没妨碍我们追呢，掩面中。。。

Has MobLand Been Renewed For Season 2?Nope, but hang tight. Hardy has been teasing plans for the Harrigans and Harry to go “international” to continue for “more seasons,” as he told Hollywood Reporter:“The plan is definitely to see more seasons. The question is: Does it become international? There are international elements to organized crime, which are touched on in season one and the control of drugs and ammunition and weapons and people and all kinds of things that go through Europe and from Africa through to South America, Pakistan and the variable commodities that move around Europe. There are families that are involved in each European country that are vying for power to have that status to be able to move these kind of commodities through and who polices that and how that fits into a world stage.”无法想象，第二季这“国际化”得胡编乱造成啥样。。。

搞笑的是，ChatGPT还给我来了个：哈里角色发展与心理演变曲线（第1集至第7集）

Screen Rant最新的这篇剧评骂得又狠又搞笑，https://screenrant.com/mobland-season-1-episode-7-review/ "Hey don't worry, we'll get to these plots soon! Just as soon as we figure out what we're doing in the main story!"

PS7 这两天老罗在今年戛纳拿了一个终身成就奖，这让我昨天早上想起了“黑帮专业户”老罗当年令人泪流满面的《美国往事》，当时就在想，同为“黑帮专业户”的汤老师难道不能有什么片子也让人哭上一遭吗？

巧了，结果晚上就补课看了一个《传奇》，哭得稀里哗啦（尽管外媒打分没有很高，我却觉得绝对值8分以上。

导演布莱恩·海尔格兰德擅长的其实是编剧而非导演，而自2015年的《传奇》后，他隔了八年才在2023年再执导筒）。

是我无知了，原来，十年前，汤老师就已经拍出一部“伦敦往事”了。

虽非《美国往事》那一挂，前三分之二甚至很多桥段“黑喜”得让人乐不可支，可后三分之一画风突变，如同点燃一颗催泪弹，哭爆。

尽管《卫报》有评论说那场家暴戏与原型人物不符，但泪点初始的确就是那场家暴戏。

汤老师令人心心念念的复杂眼神演绎，终于有了配得上的催泪效应。

2015年实在是汤老师的大年，拿了奥提的《荒野猎人》是这一年，大爆之作《疯狂的麦克斯4：狂暴之路》是这一年，《传奇》，也是这一年。

十年前带着《传奇》参加TIFF时，他说：Just to get a job is pretty cool. I’ve far exceeded my expectations. I just came to deliver a pizza and I’m doing pretty well.

内鬼是谁？

这其实个伪命题。

在黑帮世界中，谁还不是“内鬼”？

所谓忠诚、所谓家人，恐怕都并不比一英镑更值钱。

但如果非要找出向警方通报阿尔奇丧命消息的“内鬼”，也不是太难——康拉德（布鲁斯南）、或是哈利。

梅芙也在诱导康拉德作出“不是你，那就只能是哈利”的判断。

问题是，梅老太婆凭什么就把自己摘干净了？

阿尔奇之死，梅芙对康拉德的激将法“功不可没”（事后康拉德也明显对自己太快上头懊恼不已）。

事儿是被她挑动激化的，处理尸体的过程她虽没直接下令，很可能也得到了康拉德的通报。

至少前四集里，老康时常在棘手问题上问计于她是事实。

那会是“第一嫌疑人”哈利吗？

当然不大会。

哈利不太可能是警方卧底。

原因一：干卧底的人老婆孩子成了明牌，所有人都可以轻易拿捏要挟，还卧个毛线啊？

原因二：警方都有这个内线了，何必还派个所谓心理医生去接近他老婆？

当然在编剧眼中，世事无绝对——哈利有一定可能确是卧底，但他的真实身份，并不是天天跟在屁股后面的低阶警员所能了解的。

后者对他的迫近跟踪，反而成了哈利“忠诚”于家族的伪装和掩护（这一点梅芙有可能没猜错）。

干掉汤米的真凶是谁？

第四集梅芙跟孙子的对话中，孙子明确问“我们做错了吗？

”这意思再明白不过——汤米是梅芙指使孙子埃迪做掉的。

梅芙“爱”哈里根家族吗？

（这个问题也可以侧面回答她是否为内鬼，或者更准确说是“当下的内鬼”）个人认为，说她爱家族那就是笑话。

老康风流成性、出轨不断，何止于四五六七八个，甚至能干出把情人送给自己儿子凯文接盘的骚操作。

他这方面的觉悟实在比“为生活所迫涉黑”的唐科列奥尼同志差远了。

那她至少爱孙子吧？

我的回答是——真不一定。

假如哪天编剧告诉大家，黑三代埃迪其实是康拉德播的种，我绝不感到意外（相信凯文也不会对这个儿子其实是由老爹替他代劳感到意外）。

毕竟老康在儿媳怀孕那段时间跟儿子共享美人，是大概率的。

既然老公不忠、孙子也可能是老公的私生子，梅芙还有什么忠诚于家族的理由？

最后，内鬼会是老大凯文、老二布伦丹、老三印度妞塞拉菲娜吗？

自然都有可能。

但仅从目前展开的情节来看，他们或许将来也会是某种意义上的内鬼，但在阿尔奇之死的问题上，他们向警方通风报信的嫌疑，远低于前面说的三个人，且嫌疑依次下降。

在本剧《黑帮领地》中，埃迪和梅芙这两个角色之间的关系充满了复杂与矛盾。

埃迪是哈里根家族的“末流”成员，是康拉德和梅芙的孙子，而梅芙则是家族中极具影响力的幕后操盘手。

他们的关系，从某种程度上来说，是家族权力与年轻一代冲动的碰撞，而这种碰撞，最终让观众对他们两人都“恨得牙根痒”。

埃迪的鲁莽和冲动是剧中的一大看点，也是引发家族危机的导火索。

他在夜店中酒后捅人，引发了两大帮派的冲突。

这种行为不仅给家族带来了巨大的麻烦，也让观众对他充满了愤怒。

他的行为似乎完全不顾及家族的安危，只图一时的快意恩仇。

这种不顾后果的冲动，让观众对他恨得咬牙切齿，甚至在心里默默祈祷“埃迪必须死”。

而梅芙，作为家族的智囊和幕后掌控者，她的冷静与狠辣与埃迪的冲动形成了鲜明对比。

她能够在复杂的情况下迅速做出决策，甚至不惜牺牲自己的孙子来维护家族的利益。

她的这种冷酷无情，让观众对她的恨意丝毫不亚于埃迪。

她轻抚孙子头发时像慈祥祖母，转头就能用一句“斩草要除根”让康拉德改变计划。

这种角色的复杂性，让观众在恨她的同时，也对她的能力感到敬畏。

埃迪和梅芙的冲突，不仅仅是家族内部的矛盾，更是两代人观念的碰撞。

埃迪代表着年轻一代的冲动与鲁莽，而梅芙则代表着老一辈的权谋与冷酷。

他们的冲突，让观众看到了家族内部的复杂与矛盾，也让观众对他们两人的命运充满了期待。

在《黑帮领地》的世界里，埃迪和梅芙的死亡，或许是剧情发展的必然，也是观众情感的强烈诉求。

他们的存在，让观众看到了人性的复杂与黑暗，也让观众更加珍惜生活中的善良与美好。

他们的死，是对他们行为的清算，也是对观众心中正义的慰藉。

《黑帮领地》以其复杂的人物关系和深刻的主题，让观众在愤怒与无奈中，感受到了人性的力量与脆弱。

埃迪和梅芙的冲突，不仅是家族内部的矛盾，更是两代人观念的碰撞。

他们的死亡，或许是这部剧最令人痛快的结局，也是观众心中正义的胜利。

如果记得没错的话，汤老师全剧下来受伤最严重的是最后一集被自己老婆误伤，胸口被插了一刀，剧情太呲了，整个剧情就是流水账的叙事，你攻击我我反击报复你，为数不多的亮点就是剧中女律师丽莎.徳万真的好漂亮，Bgm也很好听。

总之千万别有续作了，相反更期待汤姆哈迪的《禁忌》赶紧出第二季，都八年了。

自格莫拉之后，深深爱上了意大利黑手党片，无奈此类型太少，直到…………刚看到第一集就入坑，希望不烂尾。

英式的台词外加意大利黑手党的标准穿着，短皮衣，黑裤子，让我无法自拔，劳力士无孔不入啊，但是即便是戴全金的水鬼，也是一线执行的马仔，双花红棍。

大佬还是要戴日志啊……四星半！

就看007大佬后面怎么操作了……

最近挖到一部能让黑帮片爱好者瞳孔地震的硬核新剧，如果你爱看《浴血黑帮》的权谋算计，或是《教父》式的家族史诗，这部剧绝对对胃口。

黑帮领地MobLand

本剧共10集，目前已更至04集，豆瓣8.3分。

盖・里奇联手汤姆・哈迪、皮尔斯・布鲁斯南和海伦・米伦，把伦敦黑道的腥风血雨拍成了一场精密的权力博弈，每帧画面都透着 “生人勿近” 的狠劲，让人忍不住想一口气啃完。

作为 “最懂男人戏” 的导演，盖・里奇这次玩得更狠。

汤姆・哈迪饰演的 “调解人” 哈利，表面是在两大黑帮间和稀泥的老好人，实则是刀口上舔血的清道夫。

首集开场就是名场面：他笑眯眯地劝和两个帮派，转身就按雇主康拉德（皮尔斯・布鲁斯南饰）的暗示开枪灭口，西装革履下的冷血气质简直溢出屏幕。

哈迪把这种 “温柔刀” 式的狠辣演得出神入化，挑眉时的狡黠、压低嗓音威胁人时的压迫感，让人想起他早年在《摇滚黑帮》的生猛，又多了份历经世事的老辣。

剧情从一场疯狂的夜店冲突开始，哈里根家族的纨绔孙子埃迪酒后捅人，把两大帮派拖进了风暴眼。

布鲁斯南饰演的家族首领康拉德，明明穿着定制西装喝着威士忌，却能面不改色地下令处决亲信，优雅外表下藏着毒蛇般的狠戾。

而海伦・米伦饰演的家族智囊梅芙更绝，她轻抚孙子头发时像慈祥祖母，转头就能用一句 “斩草要除根” 让康拉德改变计划，高跟鞋踩过的地方，全是权力的暗礁。

这部剧最勾人的，是把黑帮斗争拍出了 “狼人杀” 的悬疑感。

埃迪和敌对家族的汤米夜店狂欢后，汤米神秘失踪，监控录像、目击者证词、家族间的互相猜忌，像多米诺骨牌一样倒塌。

哈利在医院威胁受害者改口供那场戏，明明没有血腥镜头，却靠哈迪似笑非笑的眼神和压低的嗓音，把 “温柔威胁” 的压迫感拉满。

你能清楚感受到，这不是简单的黑帮火并，而是一场精心设计的权力绞杀，每个人都是棋盘上的棋子，随时可能被吃掉。

而镜头语言更是绝，雨夜的伦敦街道、昏暗的俱乐部灯光、大佬们西装上的褶皱，每个画面都在诉说 “黑道无温情”。

比起无脑爽剧，《黑帮领地》更像一场权力人性的解剖课。

盖・里奇用扎实的剧本和老戏骨的演技，证明黑帮剧不止有打打杀杀，更有人性在权力熔炉里的淬炼。

目前更新的几集，每集都在铺陈更大的局，哈利能否在两大帮派的绞杀中全身而退，汤米失踪的真相到底是什么，梅芙的伤疤背后藏着什么秘密……这些悬念像钩子一样勾着人，让人忍不住想知道，在这个弱肉强食的黑道世界，究竟谁能活到最后，又有谁能守住最后一丝人性。

黑帮的世界没有对错，只有输赢。

《黑帮领地》不是让你爽完就忘的爆米花剧，当权力成为唯一的信仰，人究竟会变成棋子，还是执棋者？

或许，这就是黑帮题材永远迷人的地方。

它照见的，从来不止是黑道的血腥，更是人性深处的欲望与挣扎。

现在，这场充满火药味的权力游戏已经开场，你准备好入局了吗？

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两星一星给汤老师 一星给其他演员剧情很一般 黑帮电影电视太多了美国拍的最多 英国 法国 意大利 德国 甚至俄罗斯都有不错的黑帮片黑吃黑的题材太老套了 所以一般都要加点帅哥美女 或者床戏啥的比如金斯顿市长 其实也可以看成是黑帮片 调解人吧啦吧啦感觉这题材真的很难再拍出新意 最明显的例子就是本剧 演员都不错 多数人也都是老演员了 都能找到自己的定位 台词也可以。

关键就是剧情 感觉纯粹是为了把这些演员攒在一起临时编的尤其是看到第四集结尾 里奇老婆的车子爆炸 这也太公式化了吧？

纯粹为了能拍下一集是吧？

就这么生硬的给延续故事是吧？

又狠又蠢的话事人和草台班子十足的团队，疯癫又嚣张的行事时刻提醒世界：老子还很行，MAGA…，但又无可奈何的日薄西山花落去，只是康拉德家族还有哈利这样的清醒者在力挽狂澜，修修补补，川普的哈利在哪里呢？

只有一堆川普一句顶一万句的马屁精和眼线男这样的助纣为虐心怀鬼胎的投机者，加油折腾吧，康拉德川普！