鹰与鲨鱼

也曾被列入到想看的电影之一，在返程飞机上看的。

看到别人的比自己更白痴或更凄惨会冒出很窝心的感觉。

好像在做的一个甜蜜荒诞的梦的时候发现你做的梦比我的更美更完整并且我们是一国的。

怎么说呢就是很deadpan很otaku，要不是拍摄的场景和事件都这么熟悉也就不会深得吾心了。

刚才在豆瓣看到了热心读者把上个月在找的江国香织第一本书的片断贴出来了，果然是期待中的风格，就忍不住又缅怀了一遍敬老院墙上的文章之类的。

总是就想要在这些温柔而有耐心的文艺作品当中幻想着要是一辈子这样的神志不清，然后再去享受一些清醒现实理性的尤物。

而如冷笑话一般的电影和小说使你不必如此自苦，它都帮你考虑到了，它一边歌颂爱情一边自嘲不已，一边怀旧一边飞向无垠，一边毫无防备又筑起高墙，一边把自己葬送掉又写着幽默的墓志铭。

-2007.11.5

Lily和Jarrod在别人眼中也许都有些奇怪，Lily的眼神，Jarrod的发型，同样的异想天开。

尤其是Jarrod，成人世界的他却在筹划一次“复仇计划”，来了结他孩提时代的“恩怨”。

在快餐店打工的Lily第一眼就爱上了怪僻的Jarrod，巧合的是他们的嘴唇上方都有一颗痣。

看着动物Party上打扮成鲨鱼的Lily和老鹰的Jarrod，人人都会觉得像两个白痴，傻气十足。

但Lily不觉得，她觉得Jarrod是那么与众不同，打对抗游戏时她一直微笑着注视着这只傻鹰。

可相处一段时间后，Jarrod却要跟Lily分手，他实在太古怪了，身处异乡的Lily非常伤心。

Jarrod的家人也比较奇怪，Jarrod一直渴望得到父亲的肯定，但父亲心里只有死去的大儿子。

Lily用自己的乐观和爱感染着Jarrod全家，他们从她身上感受到了快乐、包容和无私的爱。

终于复仇的那一天到来了，Jarrod的仇人居然坐在轮椅上，他成了一个瘸子，他向Jarrod道歉。

然后，Jarrod仍然不能原谅他，他冲上去猛揍这个“毁了他一生”的人，讽刺的是他还是打不过。

Jarrod认为自己是个彻底的失败者，羞愧地逃走了，Lily跟着追了去。

一个红色的睡袋在草地上始终追随着另一个蓝色的睡袋……终于，Lily要回家了，走的前一天，她对Jarrod说：“我要告诉你两件事，第一件事是明天我要离开了，第二件事是，第一件事可以改变。

”第二天，Jarrod的家人将Lily送到车站，Jarrod已经在那里等着了，他手里拿着一束百合，小女孩将手指蜡烛交到Lily手中。

Lily抿着斜斜的嘴笑了，我喜欢她的笑容，开心而克制，花痴还含蓄，怀揣许多美好的心事。

最后，Jarrod和Lily一起坐在空空的汽车里回家去了。

最后，那个撑着人字拖鞋船流浪的瘦苹果核终于在夕阳下找到了那个等待她的胖苹果核。

如果你是一个怪物，那么世界上一定还有另一个怪物用欣赏的目光在注视你。

那些在别人眼中的古怪也许正是她眼中的可爱，所以自信一点，快去寻找她吧。

看这部片子之前其实需要做好心理准备，要么很“雷”，要么大爱。

我觉得这是我看过的最古怪的电影了，当然论搞怪个性可能这部新西兰独立电影不算什么，但是至今为止它是我唯一一部看过的里面的角色没有一个不是“怪人”的电影。

Lily很古怪，其实长得明明算是漂亮伶俐，但是就透着一份怪异一份呆。

同时叫她“疯女人”，老板耍花招就是要辞退她，但是她不抱怨，只傻笑。

她暗恋那个在音像店打工每天来快餐店吃饭的男孩Jarrod。

两个人在一个动物变装的Party上熟识，恋爱了。

Jarrod其实也很怪异，喜欢做一些奇奇怪怪的DIY，情绪经常不稳定，还有一些诡异的举动，比如说做完爱就躺在床上打恐吓电话啦口口声声说要复仇啦之类的。

后来这种怪异在Lily陪他回到家乡的时候一点一点浮出水面……我很喜欢这个故事。

和里面所有的人物，包括Jarrod的那群稀奇古怪的家人和朋友。

估计最开始谁都不会喜欢Lily这个女孩，总是耷拉着嘴角一脸愁相，哪怕笑的时候你也想扁她。

傻乎乎的，呆呆的，不知道脑子里想些什么，感觉不正常。

唯独在看着自己喜欢的人的时候，那发自内心微笑的眼睛很可爱。

但是后来，你会觉得她很可爱，很温柔，很大度，永远不抱怨，心肠很好，她其实有很多优点，喜欢唱歌，喜欢运动，喜欢交朋友，做很多事都很有天分，很容易接纳身边的人。

你会觉得Jarrod伤她的心实在太不是东西啦！

你会禁不住想Jarrod一定会后悔的，一定！

你会跟Jarrod的家人一样，开始喜欢她，开始和她打成一片。

我就慢慢开始喜欢看她抱着细长的腿坐在那，头发别个可爱的发卡，发呆；喜欢看她光着脚猫着腰起劲的在那个大圆木里奔跑……然后看着她穿着Jarrod姐姐自己做的运动服化着妆去参加小镇的party，喝酒，疯狂的跳舞，弹吉他，在众人的欢呼声中摇着呼拉圈跳舞，然后在欢呼的高潮中直接跑掉，一路跑过树林一边把衣服都甩开最后在灌木丛里睡着……我觉得她好酷。

她真酷。

Jarrod的复仇大计最后变成闹剧，他一个人抓着睡袋跑到山坡上，Lily套在红色的睡袋里亦步亦趋跟着。

她爱他，尽管他很糟糕。

他说“I'm a loser.”她说“I know,it doesn't matter.”她在蓝天下造地上躺在他身边，陪着他，注视着他。

她说，“我有两点要说明。

一、明天早上我会做巴士离开这里。

二、第一点可以改变。

”喜欢她，好像喜欢这部电影一样，慢热型的说说Jarrod。

老实说我觉得他很不好看。

而且傻。

而且呆。

而且有点装二百五。

其实他很自卑，于是喜欢说谎躲避。

这种人我见过，习惯性说谎症，已经是一种交流方式了，条件反射一般的对于所有任何有必要说谎没必要说谎的大事小事都要保留一点真实的元素。

怎么说呢，大概是因为自卑吧，所以觉得自己的事情不被他人掌握才安全。

靠一些无聊的小玩意来维护自己的自尊和面子。

但是Lily爱他。

所以他一定能幸福。

我真喜欢那个场景：第二天一早家人们送Lily去做巴士回城里，他站在写着“kick your ass”的墙边，手里扯着几朵洁白的百合，等着Lily……实在太有爱了。

结尾的CG很有趣，Lily丢掉的苹果核坐在拖鞋上顺流而下漂到一个岛上，遇到了Jarrod当初咬了一口丢掉的烂苹果，一见钟情然后坐在一起看海边的夕阳…………怎么那么可爱啊 其实这就是一个苹果核和烂苹果的爱情故事吧？

或者说，这是一场动物的爱情：一只老鹰和一条鲨鱼么？

他们彼此欣赏着对方的怪异，他们最契合，他们最般配。

爱情对动物来说就是知觉，而老鹰和鲨鱼都是凶猛的动物

可能大家忽略其中的一段话，与主题有关“鲨鱼是孤独的，只有他受伤的时候才是仅有的社交活动 。。。

”大概意思

Along with the development of society and technology, the New Zealand cinema has its specific style and the way of telling the story. The New Zealand film industry provided a propelling by the founding of the New Zealand Film Commission in 1978, which encourages the local filmmakers to contribute their creations to the local or worldwide easily. There are many of the successful New Zealand directors influenced by this unique cultural and social background, for example, Peter Jackson, Scott Reynolds, Jane Campion, and Maori director Taika Waititi. This blog-like journal article will provide some information to introduce the film ‘Eagle vs Shark’ (2007) by Taika Waititi; introduce this feature film director; illustrate the film presentation; and comparing with other countries’ film industry, the similarities and differences will be discussed. Firstly, some of the information about the film Eagle vs Shark (2007) will be illustrated. The film Eagle vs Shark (2007) is a New Zealand comedy and romantic film released in 2007. The film director is Taika Waititi. He is the screenplay writer as well. This film is the tale about the eccentric young boy and girl trying to find love. Lily, a shy Meaty Boy fast-food cashier who oddly attracted to the Jarrod, the person who has the social-awkward and neurotic-like personalities. In a coincidence, Lily attends to Jarrod’s costume party, which they are fall in love after the party. Then, they start a journey that travels to Jarrod’s hometown. Lily has to deal with the weird family and her romance. This film was not only produced by the New Zealand Film Commission but also contributed by Unison Films and Whenua Films (IMDb, n.d.). They are all the New Zealand local film production companies, which we can regard this film as pure local funded. However, this film received disappointment at the box office. The budge of this film was around 1.8 million New Zealand Dollars (estimates 1.35 million American dollars) (Cubis, 2019), and received only nearly 1.3 million dollars worldwide (Box Office Mojo, n.d.), leaving the film producers with poor returns. I think the reason why it was filmed is because of the money. The director Taika Waititi’s short film Two Cars, One Night (2004) was earned the Best Short Film nomination of Academy Award in 2004, which makes him famous among the film critics. This caused him easier to collect money from individual film production companies and funded by the government (Dawson, 2007). Therefore, he was made the film Eagle vs Shark (2007) quickly. Another reason the film could be released is culture transmission. I am going to discuss this factor in the later section.Secondly, the producers and actors will be introduced in this section. Taika Waititi, I have to say, he is one of the directors I like the most from my film study. He was the feature director who can expertly tell the story in an extraordinary way. He is skillful for makes comedy, romantics, and horror-comedy. He always inserts uncorrelated elements or combines different kinds of things in the film. For example, he uses comic and humorous ways to demonstrates the epic Marvel Cinematic Universe superhero film Thor: Ragnarok (2017), which provides audiences a fresh view of this tragic and heroic story as a funny and light-hearted fantasy film. He made a film Hunt for Wilder People (2016), he turned this family film into a comic, crazy road adventure film, and received huge positive comments. In addition, he often makes himself the cameo appearance in his own film. For example, he plays the role of Adolf Hitler in his film Jojo Rabbit (2019); he did motion capture and made dub for the character Korg in film Thor: Ragnarok (2017); he also was the protagonist in his television drama What We Do in the Shadows (2014). It is obvious that recently he contributed to the American film industry deeply. According to Mast and Kawin (2011), “The most important filmmakers from New Zealand were from New Zealand and did their major work in England or the United States” (p.552). This way, Taika Waititi as a foreign film director who conveys the New Zealander’s aspects to the western film industry, which brought Hollywood cinema more diverse film contents. When I was watching the film Eagle vs Shark (2007), there is a familiar face appears in the second half part of the film. That is Rachel House, she played Nancy in this film. She also participated in most of Taika Waititi’s films but only played the supporting actor’s roles. For example, the boy’s Aunty in the film Boy (2010), the child welfare service officer in Hunt for Wilder People (2016), and the Grandmaster’s bodyguard in Thor: Ragnarok (2017). Although she was playing a lot of the insignificant roles, she acted perfectly in each minor role. Further, “[Jemaine] Clement has had an equally longstanding partnership with” Taika Waititi (Robinson, 2015, para. 1). He was playing the role of Jarrod in the film Eagle vs Shark (2007). They were worked together for the television drama Wellington Paranormal (2018), and both the television version and the movie What We Do in the Shadows (2014; 2019). Thirdly, the presentation of the film Eagle vs Shark (2007) will be illustrated. Taika Waititi employs the stop motion animation technic to strengthen the main storyline. The two leftover apples are reflecting on their relationship during the film proceed, which is representing well. The rotten apple and the leftover apple are the signifiers, which imply the unsound behaviors and mental defects in their relationship. The stop motion animation has also improved the film in an ornamental and artistic way. In addition, the film contains the indigenous culture in the content which conveying it through audience point of view. Bartlett (2007) in his article argues that Eagle vs Shark (2007) is a film that takes a general view at people’s misfortune through the lens of human ridiculousness with the firm foundation of human emotion. The director Taika Waititi stated the reason he made this film, he says that he created this film is “about giving those who go unnoticed in life a chance to shine on the big screen” (Waititi, 2007). Therefore, we see the New Zealand indigenous film director has the social responsibility to let the audience focus on the vulnerable normal people within the society, which is the way to delivers the local culture to the audience. The New Zealand filmmaker, especially Maori people sees “certain entities as more important and intrinsic to their cultures than others, they occupy different social and economic realities” (Thornley, 2011, p. 116). As the Maori people, Taika Waititi was trying to introduce his Maori culture to the audience through the film implicitly. We can find many Maori signs and Maori Whare as the background in the film. He even created the Maori- European family and showed the Maori family’s daily behaviors and rituals in the film. Further, I found that the use of language or dialogue of Eagle vs Shark is quite interesting. I can see the Taika Waititi inserted many of the classic dialogues from different Western films. For example, Damon talks to Lily through the phone says: ‘Hello, this is Bond, James Bond. Please leave a message, shaken not stirred.’ It is obvious that this dialogue comes from James Bond films around the 1950s to recent years. Jarrod says to Lily, ‘I’ be back’. This is a tagline from the film The Terminator (1984). I was found that the little girl from Eagle vs Shark does Travolta’s dance move from the film Pulp Fiction (1994), which is the famous and symbolic element in Quentin Tarantino’s film Pulp Fiction (1994). Also, I was found the not obvious sitting for this film, which is the A Clockwork Orange (1971) poster hangs on the scene Jarrod welcome Lily to the party at the doorway (I made the screenshot below). I assume all these plots were the Taika Waititi’s greeting to all the senior film directors. It is also the sign of cultural fusion between New Zealand and Western countries. Yet, compared with western films especially American Hollywood cinema, the film Eagle vs Shark (2007), the differences have appeared. First, according to Maltby (2013), “we shall look not only at how movies work formally and aesthetically but also at their culture function as consumable goods in a capitalist economy” (p.7). although Eagle vs Shark (2007) presents vivid New Zealand original and local love story features, as Taika Waititi states ‘indigenous people should be telling their own story’ and ‘making themselves part of the culture and really learning about it, instead of someone else from another culture coming in and telling our stories…’ (Erbland, 2018, para.6), it is lacking the tremendous plot changes. Lily and Jarrod, don’t have outstanding love, they have no proper date or dinner, and they don’t wear beautiful clothes. They even feel luxurious when they are going to the movies. these just remind me that Taika Waititi’s statement of the purpose of making this film, which is just reflecting the normal couple’s life in the audience’s mind. However, this is the opposite theme in Hollywood romantic comedy films. In conclusion, this blog-like journal article analyzed the New Zealand film industry, using the film Eagle vs Shark as an example, illustrates the unique presentation of the film, and comparing it with other countries’ film industry, the similarities, and differences of the romantic comedy films. Overall, the New Zealand film industry is ongoing developing. Their feature film especially film made by Maori-dominant filmmakers are contained their own social and cultural background, which deliver the national identity worldwide. Although the film Eagle vs Shark (2007) made a failure in box office internationally, it was praised by film critics, which earned the reputation for Maori filmmaker Taika Waititi globally. Hence, New Zealand’s lifestyle and cultural background being known by more and more audience from then on. FilmographyA Clockwork Orange. (1971). Stanley Kubrick. (Dir.). Warner Bros, Polaris Productions & Hawk Films. Warner Home Video. (DVD, 2001).Boy. (2010). Taika Waititi. (Dir.). Whenua Films, Unison Films & New Zealand Film Production Fund. Vertigo Releasing (All Media, 2017).Eagle vs Shark. (2007). Taika Waititi. (Dir.). New Zealand Film Commission, Unison Films & Whenua Films. Atlantic Film. (DVD, 2008). Hunt for Wilder People. (2016). Taika Waititi. (Dir.). Piki Films, Defender Films & Curious Film. Sony Pictures Home Entertainment. (Blu-ray & DVD, 2016).Jojo Rabbit. (2019). Taika Waititi. (Dir.). TSG Entertainment, Piki Films & Defender Films. Walt Disney Studios Motion Pictures. (All Media, 2019).Pulp Fiction. (1994). Quentin Tarantino (Dir.). Miramax, A Band Apart & Jersey Films. Lionsgate Home Entertainment. (Blu-ray & DVD, 2011).The Terminator. (1984). James Cameron. (Dir.). Cinema `84, Euro Film Funding, Hemdale & Pacific Western Productions. MGM Home Entertainment. (DVD, 2001). Thor: Ragnarok. (2017). Taika Waititi. (Dir.). Walt Disney Pictures & Marvel Studios. Walt Disney Studios Home Entertainment. (Ultra HD Blu-ray, Blu-ray & DVD, 2018).Two Cars, One Night. (2004). Taika Waititi. (Dir.). Blueskin Films Ltd, Defender Films & New Zealand Film Commission. What We Do in the Shadows. (2014). Jemaine Clement & Taika Waititi. (Dir.). Unison Films, Defender Films, Funny or Die & New Zealand Film Commission. Paramount Home Entertainment. (Blue-ray & DVD, 2015).What We Do in the Shadows. (2019). Jemaine Clement (Dir.). FX Productions, Two Canoes Pictures & 343 Incorporated. Walt Disney Television. (All Media, 2019).ReferenceBartlett, M. (2007). Animal Instincts: ‘Eagle vs Shark'. Metro Magazine: Media & Education Magazine, (155), 26.Box Office Mojo. (n.d.). Eagle vs Shark. Box Office Mojo. Retrieved from: https://www.boxofficemojo.com/release/rl3444475393/weekend/Cubis, S. (2019). ‘Eagle Vs Shark’ is New Zealand’s best movie of all time. SBS. Retrieved from: https://www.sbs.com.au/movies/article/2019/04/08/eagle-vs-shark-new-zealands-best-movie-all-timeDawson, N. (2007). Taika Waititi, Eagle VS Shark. Filmmaker. Retrieved from: https://filmmakermagazine.com/1268-taika-waititi-eagle-vs-shark/#.Xo_B4lNLgWpErbland, K. (2018). Taika Waititi says ‘Hollywood is running out of ideas’, but not diverse filmmakers – TIFF. Indie Wire. Retrieved from: https://www.indiewire.com/2018/09/taika-waititi-hollywood-diverse-filmmakers-tiff-1202002607/IMDb. (n.d.) Eagle vs Shark. IMDb. Retrieved from: https://www.imdb.com/title/tt0494222/Maltby, R. (2013). Hollywood Cinema. (2nd ed.) Oxford, England: Blackwell Publishing. Mast, G. & Kawin, B. (2011). A Short History of the Movies. (11th ed.) Hoboken, NJ: Pearson. Robinson, T. (2015). Jemaine Clement and Taika Waititi on their years-in-the-making vampire comedy What We Do in The Shadows. The Dissolve. Retrieved from: https://thedissolve.com/features/interview/923-jemaine-clement-and-taika-waititi-on-their-years-i/Thornley, D. (2011). ‘From a Maori point of view to look at a Maori film’ Maori New Zealanders talk about watching indigenous films. Journal of International Communication, 17(2), 107-120.Waititi, T. (2007). Eagle vs Shark. Optimum.

我的小伙伴国宝有一天和我说，他度盘给我分享了一部电影，还说看完就知道为什么推荐给我了。

然后我就看到这部很可爱的新西兰爱情电影，说女主丑，不如说她不讨喜，可看到一半的时候就在想，Lily这么善良单纯的好姑娘怎么就眼瞎看上男主这样从小遭受校园暴力心理扭曲的中二装逼青年呢？

也许只是因为他们都有嘴唇上的痣，而现实中的我，也有一颗唇上痣。

Lily和性格孤僻的弟弟一起生活，她不善言辞交际，却是个心地善良的姑娘。

在当下的价值观里，善良也是我们羞于提起的一种美德了。

一个善良不懂取悦别人的人更多的时候要承受的是逆来顺受的欺凌，而这个世界的恶意似乎也都喜欢侵袭那些善良没有防备的人。

Jarrod小时候肯定是个孤僻没朋友的小屁孩，一直以来被校园暴力所困扰的他，找到唯一让自己有存在感的方式就用浮夸和虚伪的方式扮演自己，他说谎是因为心虚，想要被人在乎。

他说自己是正义的化身，要去雪耻，那也不过是自己面对恐惧和失败童年的失败救赎计划。

「我是个loser」 「我知道，但我不在乎」 Lily用爱来化解Jarrod身上的戾气，救赎这颗孤独的心。

因为受过伤，过于敏感的人总是包裹着自己的心，小心翼翼的去接触这个世界，内心最柔软的地方，也只为真爱自己的人敞开。

当他在车站等她，拿着一束百合花，这故事就有了一个最好的结局。

这世界上有个法则就是负负得正，两个孤独的人，两个没用的人加在一起，也许会有不一样的活法。

喜欢电影里那两颗苹果的定格小动画。

苹果核对烂心苹果一见钟情，于是烂苹果有了心，两个孤独的人相互取暖，也就有了爱。

爱情啊，从来都不是一帆风顺的。

两个人能走到一起也是很不易的，如果有个傻瓜一直对你那么好，就算你一开始并没有那么喜欢TA，也不可以让TA伤心难过，试着敞开心扉，试着用心感受，也许你会发现自己已然怦然心动了。

【鹰与鲨鱼】的故事，孤单的故事，苹果的故事。

被啃光的女苹果核被抛弃在房子外面的花园里。

一群蚂蚁企图把她搬走并且不停向她喷射有毒液体。

苹果核受了惊立马站起来匆忙逃跑，甩掉仍然在咬她的几只蚂蚁。

跑了很久看到一只躺在水边的凉拖。

她蹦上拖鞋朝水的对岸划去。

在夕阳中，她看到了孤零零靠在礁石上的男虫洞苹果。

虫洞苹果无力地抬头看她却与她擦出火花心生爱意。

于是两只苹果一同坐在沙滩上看着夕阳西下温暖无边。

于是两只苹果不再无助，两只苹果一起等明天。

感谢Yoyo给我一部有意思的片子。

新西兰的英伦特质很明显，我指的是底层一点的。

12.05.07

这个世界那么大每个人都有自己的爱情,自己的生活常常走在街上,看到的人总喜欢暗自揣摩他那些和外貌,,金钱,和所有事情都无关的内容两个说着蹩脚英语,,怪异表情的人他们互相吸引的生活是怎样的很多想象其实原和生活是不搭边儿的爱情不是只属于那些美丽的人们儿我们都是有故事的尽管那些尽是充满琐碎和不如意但都是切实体会到的真实影片关于复仇的结局不算出人意料得让仇人变残疾了却是杰罗德居然连那个残疾仇人都没的放过两人扭成一团他可爱的小女儿还在给他们拍照得出的结论显然是伟大的小朋友们以后不要随便欺负同学呐P.S.几个小片段很喜欢那些关于苹果的粘土动画莉莉转呼啦圈儿时候漫天飞着她被解雇时候的小纸条儿内对她的含义已经完全不同了贯穿后半部分的睡袋

谁说只有俊男美女才配谈恋爱！

这恐怕是导演的主题 男主角堪称JP丑男，女主角平淡无奇。

两个人都算是奇奇怪怪的家伙，一个终日想着“复仇”，一个会讲“放屁王的名字”这种冷笑话片中的动画做得很出彩，两个烂苹果，寓意男女主人公，最后相见的场景很喜欢。

提倡人人都去谈恋爱，不论美丑，即使你是个怪胎，也总有另一个怪胎在等着你。

我想这是jarrod这辈子听过的最美的话了吧现在看电影已经看出了好眼力往往一张海报或片名就可以感知出我的喜好 所以我又压对宝了eggle vs shark多美好 动物世界的童话两颗苹果的爱情一个男孩的成长一个心灵的愈合一片幸福的其乐融融一直以来就想要有一个哥哥或弟弟不想要姐妹因为他们可以被用来崇拜而她们则会用来比较所以jarrod你是这么长大的而lily她是那么长大的你会因为父亲的喜好而隐藏自己的心会装意外来获得别人的注视你想要做出一件事让他肯定 男人的肯定其实 只是他还没有走出悲伤 看不见你罢了不过因为lily一切都变了lily爱爱爱的女生 瘦瘦瘦但却充满力量 每次看到你那蹩脚的表情都想说什么时候你才能痛快的笑出来难道怕你的悲伤或是你的快乐溢出来么？

你好会爱可以说出那么贴心的话 可以做出那么倔强却又可爱的行为闷闷的勇敢着 好电影啦好电影 可爱温情充满童趣的小清新 越发喜欢闷骚人群 闷有什么不好 骚又怎样那只是因为我们有所心灵的小木屋所以继续下去 无以复加哈哈哈哈哈哈